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How the lawyer must maintain the relationship with their clients?

Maintain a close relationship with more experienced colleagues, former bosses, and teachers. Counseling and help from more experienced James Lyle New Mexico professional is critical at this early stage. Whenever insecurity arises, when you do not know how to act in a particular case, unaware of any process or need business tips and legal routines, turn to your “mentor.” That maxim that two heads think well than one is very welcome at those times.

Always be aware of deadlines

Arrive two
hours in advance for an audience, but never after hours! Do not be late for
customer meetings and never miss a legal deadline. In addition to harming your
client, losing deadlines is lousy for your reputation. If necessary, during
work, incorporate the European that exists in you and be recognized for
punctuality.

Respect your time and place of work

Establishing a
routine is critical to your organization and productivity. Set a daily work
schedule and organize your days according to the type of activity. Separate
specific moments in your week for parts writing, customer service,
administrative tasks, legal marketing and other activities. If you work from
home, separate a concentration-friendly room to be your office.

Be very
careful with customer service. An interesting tip is to find, in your area, a
co-working or shared room that has an environment reserved for meetings. Thus,
you can rent the space according to the length of stay while offering a service
with much more tranquility and quality to its customers.

Make a good initial petition

The petition
is the ghost of many new lawyers, but it does not have to be yours. Keep in
mind that no aspect of your initial petition should draw more attention than
content. So, respect the techniques of professional writing, the use of edge,
spacing between lines, the sizes and types of letters. Use bold, italic and box
high with economy, only for what is really needed. Do not use abbreviations and
avoid words in Latin – make exceptions only for the best known ones.

You can
structure the petition into topics, more or less as you learned for the second
phase or expose the content in an articulate way by enumerating the paragraphs.
Set a pattern and follow it from beginning to end of the document.

Conclusion

When entering
the facts in the petition, do not just reproduce the information of your client.
After all, when he talks to you, he usually passes the information in an
emotional way. Another very important point – be clear and respectful to the
opposite party. No matter how emotional the question is, act rationally. After
completing the petition, read and re-read as many times as necessary to avoid
misspellings or lack of cohesion.

Understanding the various aspects of literary criticism

Literary criticism is
the notion, or more precisely the field of study which is not addressed as such
in secondary literary studies. It teaches about the authors of literature,
works, learning elements of literary history and is initiated to the classification
of works by genre (epistolary, novel, poetry, theater, autobiography). One does
not have to wonder what the essence of criticism is. In order to know more
about this subject and you may always refer to Book
Reviews and Recommendations
. However, if the
criticism is not the object of a theoretical approach, at the end of which one
wonders what the literary criticism is, one practices it however in the
academic form of the composed commentary, the analytical reading. One speaks
works, one writes on texts, one thinks about a poem, a scene or a romantic
character.

The
premise and the trajectory of the course for the first year student

The course, which
begins today and is for first year students, is not about critical practice but
about critical theory. One will not read a work of Baudelaire, of Victor Hugo.
But one will wonder rather how to speak of their works, and even more generally
how one organizes the speech on a literary work whatever it is, what the finality
of it is. It is well known that literary writings have given rise to all sorts
of comments. The only work of Shakespeare thus aroused such a plethora of
glosses that a life would scarcely be enough to read them. A critical
bibliography of Racine’s works would occupy several volumes. This inflation is
dizzying and could end up causing a feeling of discouragement, of inanity.

What
is the point?

This superabundant
critical activity, which is increasing day by day, is it very useful? And could
we not dispense with this long detour? What exactly do we do when we take a
critical look at a work? What bases the legitimacy of this discourse? Are there
good or bad ways to submit a work to criticism? Or at least how can our speech
on a work hope to bring him what he does not have? It is necessary to think of
a reflexive act, an act of second degree (secondary?) That we practice since
primary school.

The
various premise of the word ‘criticism’

But let us first stop
with the word itself of “criticism” which has several meanings,
several meanings, which do not all agree among themselves. Note that
“criticism” is both an adjective and a noun historically and it is
first of all an adjective, which comes from the Latin critics of the Greek
works. This brings a decisive, crucial change. We thus speak of the critical
phase of the disease, or even of the “critical age” to designate the
menopause. It will be necessary to keep in mind this term whose meaning does
not disappear completely and which remains underlying to the modern senses of
the word.